An anonymous old man wakes up in a sanatorium at an unspecified location. He suffers from amnesia induced by a virus. The people call it the “night” because it steals memories and leaves only darkness. The State steps in with a new program that can store memories and begins to harvest them all, “just in case.” But is the virus really of natural origin? Or was it engineered to provide the next generation with a fresh start (and the State with an easily controlled population)? Quarantine, resistance, riots… Slowly but surely, the old man starts questioning the authenticity of his own memories, while growing increasingly conscious of another truth. Essayistic and experimental, NIGHT HAS COME takes you on a fictional journey only a step away from reality.
For this film Peter Van Goethem assembled Royal Belgian Film Archive footage from the last century to create an original story, narrated by a fictional man as a memory piece. The movie alternates between amateur footage and footage of historical events that took place in Brussels. The fragments about Brussels were decontextualized, creating a post-apocalyptic tale tackling philosophical questions that easily competes with more traditional post-apo features.
Format 16mm/35mm archive/B&W-Color
Screening format DCP
Director Peter Van Goethem
Producer Peter Krüger / Inti Films
Text Peter Verhelst
Voice Johan Leysen
Music Guy Van Nueten
Editing Peter Van Goethem
Editing supervisor Peter Krüger
Sound design Guy de Bièvre, Aiko Devriendt, Frederik van de Moortel
Mixing Frederik van de Moortel
Grading Florentijn Bos
“Essayistic and experimental, NIGHT HAS COME is mesmerizing. The editing is superb, and Guy Van Nueten’s enthralling score is a perfect match for this out-of-the-ordinary proposal.” (Annick Mahnert, fantasticfest.com)
“Every now and then I see a film that crawls on my skin, gets inside my brain, then takes up residence for a few weeks… NIGHT HAS COME is a Beautiful and Poignant Meditation on the Essence of Memory.(Jason Olivier, filmseizure.com)
“Night Has Come is an intensely sensory experience; sonic power rages over the soundtrack and the languid voiceover provides juxtaposition. The two clash then subside then clash again, like waves rolling in and out of tide against your ears.” (Alex Brannan, Cinefilesreviews.com)
“Night Has Come unfolds like a memory of a fever dream, burning its way through your brain as you drift in and out of consciousness.” (Chris Evangelista, Slashfilm)
Fantastic Fest, 20 September 2019, Austin (USA)
Film Fest Gent, 16 Oktober 2019
‘El Sustituto’ the Spanish animated short by Ana Rodriguèz Léon wins San Francisco Frozen Film Festival.
Doing sound design for this very intense short by my new friend Eyas. Just met eachother in a taxi in Aubagne in Mai and doing a film together in June! Look out for this one, it is a must see!!
Giovani Fratelli is een gezelschap van jonge broeders, geworteld in Tutti Fratelli en begeleid door Eva Schram. Hun nieuwe productie “VOLLE GANG oftewel de toekomst is al begonnen” gaat in mei in première.
“Wij, groot raadsel op twee benen,
nemen een vrije val vooruit
en tuimelen in de volle gang van ons leven
een mysterieuze ruimte in.
Sommigen vallen er met de deur in huis,
andere trappen een open deur in of
houden de achterdeur open.
Maar één ding is zeker: ge kunt er niemand de deur wijzen.”
Started composing for a new animation film by Geert Broele in a Kris Mergan Production. Geert has created a strange but familiar world. We follow a few archetypical characters over the centuries. Musically it is quite the challenge, combining my own work with Piazolla and Nicole and Hugo. Long story but you will get to hear it when it is finished.
Congratulations to Dinara Drukarova for her well deserved price at the Warsaw Film Festival. My branche So Thin is a remarkable short, serene but intense, touching,honest. It was an honour to do the sound design for this short.
sound design and mixage par Frederik Van de Moortel