Composition
Sakuran is a puzzle, it is chaos, it is sound and music…
it is research into the heart of the acoustic matter,
it is about the organization of sound in time
it’s about telling a story
it is about time
to make it
sound
amazing
As a composer, I try to do exactly the same as when I am in charge of the sound design. I try to tell the story.
But at the same time, everything is different off course. As a composer, you can do much more, follow the story in a more emotional or psychological way. The composition can, but doesn’t have to be sync with the on-screen action. And one can use the audiences vast knowledge of music to help your composition along.
some of my compositions:
the score for the Spanish feature film ‘Animas’ by José F. Ortuno
The score for the award winning animated short ‘Bloeistraat 11’ by Nienke Deutz
Tango for the finale of the theatre play, ‘Een Paar is Twee’ by Daan Hugaert and Mieke Laureys
The score for the award-winning Spanish animation short ‘El Sustituto’ by Ana Rodriguèz Léon
The score for the lecture performance ‘Western Civilization’ by Simone Milsdochter
Score for the theatre play Volle Gang by Giovani Fratelli
score for theatre play ‘Narcissus’ , cello by Frauke Mariën
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